She lives in Clifton, on the hill above, looking out of her Palladian sash-corded windows, on the heaving red-lit, brake-lit commutation of car boxes below (A4 bound, and bound in ways that are vehicular and peculiar to that mini-headed, horizonless myopia of the driving unter-mensch) where tail-gating, nylon-suited and neckless, red-faced potential stroke-fucked frowning drones bang up against each other's foam-filled anti-pedestrian bumpers. That's the parametered and cloistered world, narrowed in by lane markings, cats-eye boundaries, that have a certain grace in the middle, median, of the night. Where you - on the boundless motorway, with lights and reservations sweeping by the dormitory conurbations, the suburban landfill hutches where dad and uncle, sister and cousin fill out their raining, weeping, days - where you fill your hole with grit and hard shoulders. And you, the focus of the typical lens, the eye, are behind the wheel - the wheel that you don't turn, th...